miércoles, 26 de febrero de 2014

SANCOCHO DE GUINEO

SANCOCHO DE GUINEO


Salsa de caramelo y mani



SALSA DE CARAMELO Y MANI



INGREDIENTES


1 taza de azúcar
1 taza de agua
1 taza de crema de leche
1/2 taza de maní

En una taza al fuego, derrita el azúcar con el agua hasta formar un almíbar, añada poco a poco la crema de leche y bata continuamente hasta que se mezclen bien los ingredientes. retire del fuego, añada el maní y sirva caliente sobre helados.

SABAJON

INGREDIENTES

1 Lata grande de  leche condensada
1 lata d pequeña de crema de leche
1 taza de aguardiente
 4 huevos

En la licuadora coloque la leche condensada, la crema de leche, el aguardiente y las yemas de los huevos hasta que se incorporen correctamente los ingredientes. deje enfriar y sirva frio.

viernes, 20 de septiembre de 2013

EIGHT CRANES PAINTING THE HISTORY

EIGHT CRANES
BY SAKAI hoitsu
edo period, 19 japam
color on paper 25,1x 19,9cm
Born in Edo, Sakai Tadazane, the  17ht lord of Himeji Castle. his real given name was
 Tadanao.After the coming-of-age ceremony Hoitsu became his brother provisional adopted son and became a priest in 1797. A man of versatile talents, Hoitsu was most exellent in painting. He especially admired Ogata Korin, he established a decorative  style of his own. This painting of cranes is one of the 72 shikishi.
Inspired by the decorative design of cranes in the beginning of a scroll of waka poems painted by Tawaraya Sotatsu, one of the representative painters of the early Edo period, Hoisu presented the cranes standing in a field are gently elegant, and aptly demonstrates the Rinpa style.

viernes, 13 de septiembre de 2013

BLACK GLAZED TEA CHINA


Black glazed tea bowl with silvery spots, yuteki tenmoku type song dynasty, 12-13ç, china.

Importante Cultural Property H.8.1cm, mouth D. 19,7 cm

 

 
This large tea bowl whit wide open mouth, has silvery or iridescent spots appearing on the black glaze. In Japon, imported tenmoku (black glezed Tea bowls), with spots on water are are known as yuketytenmoku widely known for its remarkably large spots and exquisite form. Near the base on outside, the black glaze drop, below which the glazed foot reveals dark colored clay unique to the Jian ware Tea bowls produced in Fujian province. A character "xin" is engraved inside the foot.

Landscape


Landscape

 

By Jiang Dalai

Qing dynasty, 1809, China

Important Art Object

Ink and light color on silk,96,6x 43.0cm

 

Jiang Dalai was born in Lin'an (Hangzhou, Zhejiang Province). He visited Japan several times from 1804, and taught painting to Hidaka Tetsu-o, Kinoshita Itsuun and Sugai Baikan during his stay in Nagasaki, and greatly influenced Japanese nanga painters of the late Edo period including Nukina Kaioku and Hine Taizan. Althoughhis name is not mentioned in Chinese painting history, he is counted as one of four great foreign painters who visited Japan.

 The artist depicted the landscape the in bird's eye view style with autumntint leaves in the foreground to suggest the season, and a stream with clusters of"

Small houses along it flowing through low mountains in the middle ground up to the distant mountains in the background. The surface is rendered gently in a lighter shade of ink using a dry brush.  the painting shows moderate space construction with comparatevely low mountains.

LANDSCAPE


Landscape

 

By Jiang Dalai

Qing dynasty, 1809, China

Important Art Object

Ink and light color on silk,96,6x 43.0cm

 

Jiang Dalai was born in Lin'an (Hangzhou, Zhejiang Province). He visited Japan several times from 1804, and taught painting to Hidaka Tetsu-o, Kinoshita Itsuun and Sugai Baikan during his stay in Nagasaki, and greatly influenced Japanese nanga painters of the late Edo period including Nukina Kaioku and Hine Taizan. Althoughhis name is not mentioned in Chinese painting history, he is counted as one of four great foreign painters who visited Japan.

 The artist depicted the landscape the in bird's eye view style with autumntint leaves in the foreground to suggest the season, and a stream with clusters of"

Small houses along it flowing through low mountains in the middle ground up to the distant mountains in the background. The surface is rendered gently in a lighter shade of ink using a dry brush.  the painting shows moderate space construction with comparatevely low mountains.