SANCOCHO DE GUINEO
miércoles, 26 de febrero de 2014
Salsa de caramelo y mani
SALSA DE CARAMELO Y MANI
INGREDIENTES
1 taza de azúcar
1 taza de agua
1 taza de crema de leche
1/2 taza de maní
En una taza al fuego, derrita el azúcar con el agua hasta formar un almíbar, añada poco a poco la crema de leche y bata continuamente hasta que se mezclen bien los ingredientes. retire del fuego, añada el maní y sirva caliente sobre helados.
SABAJON
INGREDIENTES
1 Lata grande de leche condensada
1 lata d pequeña de crema de leche
1 taza de aguardiente
4 huevos
En la licuadora coloque la leche condensada, la crema de leche, el aguardiente y las yemas de los huevos hasta que se incorporen correctamente los ingredientes. deje enfriar y sirva frio.
1 Lata grande de leche condensada
1 lata d pequeña de crema de leche
1 taza de aguardiente
4 huevos
En la licuadora coloque la leche condensada, la crema de leche, el aguardiente y las yemas de los huevos hasta que se incorporen correctamente los ingredientes. deje enfriar y sirva frio.
viernes, 20 de septiembre de 2013
EIGHT CRANES PAINTING THE HISTORY
EIGHT CRANES
BY SAKAI hoitsu
edo period, 19 japam
color on paper 25,1x 19,9cm
Born in Edo, Sakai Tadazane, the 17ht lord of Himeji Castle. his real given name was
Tadanao.After the coming-of-age ceremony Hoitsu became his brother provisional adopted son and became a priest in 1797. A man of versatile talents, Hoitsu was most exellent in painting. He especially admired Ogata Korin, he established a decorative style of his own. This painting of cranes is one of the 72 shikishi.
Inspired by the decorative design of cranes in the beginning of a scroll of waka poems painted by Tawaraya Sotatsu, one of the representative painters of the early Edo period, Hoisu presented the cranes standing in a field are gently elegant, and aptly demonstrates the Rinpa style.
BY SAKAI hoitsu
edo period, 19 japam
color on paper 25,1x 19,9cm
Born in Edo, Sakai Tadazane, the 17ht lord of Himeji Castle. his real given name was
Tadanao.After the coming-of-age ceremony Hoitsu became his brother provisional adopted son and became a priest in 1797. A man of versatile talents, Hoitsu was most exellent in painting. He especially admired Ogata Korin, he established a decorative style of his own. This painting of cranes is one of the 72 shikishi.
Inspired by the decorative design of cranes in the beginning of a scroll of waka poems painted by Tawaraya Sotatsu, one of the representative painters of the early Edo period, Hoisu presented the cranes standing in a field are gently elegant, and aptly demonstrates the Rinpa style.
viernes, 13 de septiembre de 2013
BLACK GLAZED TEA CHINA
Black glazed tea bowl with silvery spots, yuteki
tenmoku type song dynasty, 12-13ç, china.
Importante Cultural
Property H.8.1cm, mouth D. 19,7 cm
Landscape
Landscape
By Jiang Dalai
Qing dynasty, 1809, China
Important Art Object
Ink and light color on silk,96,6x 43.0cm
Jiang Dalai was born in Lin'an (Hangzhou, Zhejiang
Province). He visited Japan several times from 1804, and taught painting to
Hidaka Tetsu-o, Kinoshita Itsuun and Sugai Baikan during his stay in Nagasaki,
and greatly influenced Japanese nanga painters of the late Edo period including
Nukina Kaioku and Hine Taizan. Althoughhis name is not mentioned in Chinese
painting history, he is counted as one of four great foreign painters who
visited Japan.
The artist
depicted the landscape the in bird's eye view style with autumntint leaves in
the foreground to suggest the season, and a stream with clusters of"
Small houses along it flowing through low mountains in
the middle ground up to the distant mountains in the background. The surface is
rendered gently in a lighter shade of ink using a dry brush. the painting shows moderate space
construction with comparatevely low mountains.
LANDSCAPE
Landscape
By Jiang Dalai
Qing dynasty, 1809, China
Important Art Object
Ink and light color on silk,96,6x 43.0cm
Jiang Dalai was born in Lin'an (Hangzhou, Zhejiang
Province). He visited Japan several times from 1804, and taught painting to
Hidaka Tetsu-o, Kinoshita Itsuun and Sugai Baikan during his stay in Nagasaki,
and greatly influenced Japanese nanga painters of the late Edo period including
Nukina Kaioku and Hine Taizan. Althoughhis name is not mentioned in Chinese
painting history, he is counted as one of four great foreign painters who
visited Japan.
The artist
depicted the landscape the in bird's eye view style with autumntint leaves in
the foreground to suggest the season, and a stream with clusters of"
Small houses along it flowing through low mountains in
the middle ground up to the distant mountains in the background. The surface is
rendered gently in a lighter shade of ink using a dry brush. the painting shows moderate space
construction with comparatevely low mountains.
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